How are you?
To browse through my work, please use the arrow buttons on the left and right;
to see a project, hit the open project button at the bottom of each slide.
Nice to meet you. I am a communications-design student, currently enrolled at the
Munich University of Applied Sciences.
If you would like to work with me, have any questions, or just want to get in touch:
SEND ME A MESSAGE
CI Project
A self-initiated Corporate Identity project.
In order to experiment with different printing/production processes I developed a simple logo and applied it to different products.
The notebook-sleeve is made of felt, sewn and silkscreened by hand. The brochure and postcard are printed on colored wrapping paper.
The taste function
How do we taste the things we eat?
Project with Dal Park
As part of a semester project for Prof. Ralph Ammer's class "Verstehen" our assignment was to answer questions about our daily food. We visited various professionals in the food-industry, spoke with scientists, butchers and farmers and gathered information.
Since taste is one of the key factors why we choose to eat something we wanted to take a closer look at how taste actually works. The result was an interactive tongue that when lemon juice was poured into it, displayed the path the acidic molecules take inside the human system.
The entire documetation can be seen at the projects' exhibition website ICH ESSEN.
A small clothing label
The delischas label is a small side-project I run.
The brandname delischas is based on the bavarian way of pronouncing 'delicious'. The most recent things I created for the brand are a small line of accessories, tote-bags and a backpack made of salvaged orange cloth from the 70ies, that was previously used for marquises/sunroofs.
All these items are made by hand.
A tee shirt design I made for the label, using custom lettering to create a typeface that flows into the grid of parallel rain lines.
The wallet is made of recycled leather, and sewn together with industrial-strength yarn from the hardware store.
The phone-case is made of packing blankets, which consist of textile clippings.
Type promo
Promotional material for an existing typeface
This was an assignment for our 2nd Semester typography class. I decided to create a fictional "The Frutigers" CD to promote the typeface. I created the ampersand-ligature on the cover, and added a &records branding to make the packaging more authentic.
On the back cover the "tracklist" shows the different font-weights available for the Frutiger.
Various Posters
These are posters from various university courses.
An assignment for Photography class. We were supposed to create a studio light environment using only one desk lamp and white paper. We then used our picture to serve as a basis for a theater poster for Agatha Christie's famous play.
Format: DIN A3 | glossy photo print
The assignment for this poster was to illustrate a short poem/text. The poem I chose praises aluminum foil; so, I drew fraktur-lettering with interconnecting black lines that resemble typical aluminum foil crumpling.
Format: DIN A2 | 2-color print
This poster is part of the "Hot Spots - What comes after Oil?" poster exchange program, where Students from Dubai, Pittsburgh, and Munich exchanged thoughts on environmental issues and strategies for the post-oil society.
Format: DIN A1 | matte color print
interna
font development
project for Melville Brand Design
The Interna is a typeface inspired by the aesthetics of Otl Aicher's rotis, Clarendon and a bit of Herb Lubalin's Avant Garde.It was developed while working for Melville Brand Design.
Interna is available at VOLCANO TYPE
Heimat is not Hollywood
A book about bavarian cinema.
Semesterproject with Tobias Aigner
Within the field of German cinema, the subcategory of bavarian film has produced some little known, yet sometimes remarkable movies. We chose a selection of twenty Bavarian movies, dating from 1933 to 2008, to collect in this book.
The first chapter gives a brief overview of Bavarian film in social and cultural context throughout the years of its existence (starting from the 1930s).
